From one brief to a full batch.
Nothing goes into production unapproved, or gets billed outside the scope.
-
Concept
Scope
What you sell, who it is for, which formats, your deadline. If a format is wrong for the product, we say so before you pay for it.
YOU GET · A WRITTEN SCOPE: FORMATS, VOLUME, RATIOS, DATE, PRICE -
Concept
Direct
The hook, story and frames are written by hand. The look is set against your brand. You approve both before anything is produced.
YOU GET · THE CONCEPT AND A SPEC TO APPROVE -
Concept
Produce
Frames are generated, then treated like footage: selected, cut, scored, graded, captioned, sized. Claims and rights are checked before delivery.
YOU GET · A FIRST CUT, PLUS ONE REVISION ROUND -
Concept
Deliver
Finished exports, organised by format, ready to upload. Your team runs the media. We never touch your ad account.
YOU GET · MASTERS, CUTDOWNS, CAPTIONS, A RIGHTS RECORD
What lands in your folder.
Every batch ships cut, graded, captioned and sized: ready to upload, not ready to edit.
The five questions everyone asks.
- Revisions
- A first cut, then one revision round in the scope. Further rounds are quoted before they start, never invoiced after.
- Delivery formats
- A master, the cutdowns your buy takes, vertical recuts where the batch calls for them. Captions burned in and as .srt.
- Sound
- Commercials, brand films and creator ads are scored and mixed. Product and motion work is silent by design, for a muted feed. Previews on this site play muted until you turn the sound on; commercials and creator ads carry their mix, and the full audio lives in the delivered masters.
- Clearances
- Synthetic performers are disclosed as synthetic. No real person’s likeness without rights evidence on file. Every asset ships with a rights record; anything we cannot clear does not ship.
- Human oversight
- Concept, shot list, look, cut and grade are each a decision a person makes and signs off. The machine renders frames; it does not choose or approve them.

Generated frames, directed by people.
The camera, the crew and the location are simulated. The craft decisions are not. Concept, look, cut and grade are each made by a person, and one person signs the result off.
- A person writes every concept and signs off every cut
- Unreal never has access to your ad account, budgets or campaigns
- Usage rights are documented in the engagement agreement
- Any external production cost is approved in writing first
Tell us what you’re selling.
We will come back with scope, timeline and what the first batch contains.