Films that earn the second minute.
The screen-holding work, in three registers: commercials cut for broadcast and connected TV, brand films where the argument is made by the edit, and the graphic layer that carries an identity across a campaign.
Spots cut for length, in every aspect.
Scored, graded spots cut for length: the format where a weak second is the one that loses the viewer.
Story arc, original score, full grade.
Longer-form pieces where the argument is made by the edit rather than by the hook, the register a brand uses when it wants to be remembered rather than clicked.
Type, composites and brand systems.
The graphic layer: type in motion, composites, transitions and the brand furniture that has to survive being cut into everything else.
Buying this
- Who it’s for
- A launch, a brand campaign, or a connected-TV and pre-roll buy that needs one film to carry the whole idea.
- What you receive
- A scored, graded master, cutdowns at the lengths your placements take, and a vertical recut of the same film.
- Where it runs
- Connected TV, YouTube pre-roll, site hero, owned channels and paid social.
- Turnaround
- Named in the written scope you approve, before production starts. There is no crew or location to book, so the calendar is not the constraint — the format mix and the volume are.
Delivered masters carry a score and a mix. The previews on this page are silent. Every piece here is our own concept work, made to show the craft: none of it was produced for the brands it may resemble, and no result is claimed for any of it.
Want one of these for your brand?
Seen something you want made?
Fifteen minutes with a producer. Bring the work you just watched, or the product you want next.